Wind H 大展预告｜“做更好的人”——新一代的工作方法，将于6月19日开幕
策展人：崔灿灿
艺术家：陈天灼，绘造社，葛宇路，何翔宇，李燎，梁琛，梅数植，倪有鱼，童文敏，王子耕，赵赵，周轶伦，朱砂
公众开放时间：2021.6.20-2021.09.07
开幕时间：2021.6.19
主办机构：山中天艺术中心
协办机构：十点睡觉艺术空间
地点：山中天艺术中心 ｜北京市朝阳区798艺术区南门万红里甲31号
Curator：Cui Cancan
Artist：Chen Tianzhuo, Drawing Architecture Studio, Ge Yulu, He Xiangyu, Li Liao, Liang Chen, Mei Shuzhi, Ni Youyu, Tong Wenmin, Wang Zigeng, Zhao Zhao, Zhou Yilun, Zhu Sha
Public Day: June 20-Sep 07, 2021
Opening: June 19, 2021
Organizer: Wind H Art Center
Co-Organizer: Click Ten Art Space
Add: Wind H Art Center, 31a Wanhongli South Gate 798 Art Zone, Chaoyang Beijing
山中天艺术中心非常荣幸地宣布，由独立策展人崔灿灿策展的“做更好的人——新一代的工作方法：新工作、新身份、新方向、新生活”，将于2021年6月19日在山中天艺术中心呈现，展览将聚焦中国新一代最具代表性的13位/组艺术家、设计师、建筑师——陈天灼，绘造社，葛宇路，何翔宇，李燎，梁琛，梅数植，倪有鱼，童文敏，王子耕，赵赵，周轶伦，朱砂的创作项目和艺术实践。
Wind H Art Center is honored to announce that the new exhibition To Be the Better One—The Methodology of the New Generation:New Work, New Identity, New Life, New Direction, curated by independent curator Cui Cancan will open on June 19th 2021. The exhibition will focus on the creative projects and artistic practices of 13 of the most representative artists, designers and architects of the new generation in China --Chen Tianzhuo, Drawing Architecture Studio, Ge Yulu, He Xiangyu, Li Liao, Liang Chen, Mei Shuzhi, Ni Youyu, Tong Wenmin, Wang Zigeng, Zhao Zhao, Zhou Yilun, Zhu Sha.
*For English please scroll down
“做更好的人”——新一代的工作方法
新工作、新身份、新生活、新方向
文/崔灿灿
特别鸣谢：展览名“做更好的人”取自艺术家李燎的作品
To Be the Better One—The Methodology of the New Generation
New Work, New Identity, New Life, New Direction
By Cui Cancan
“The methodology of the new generation” refers to the new artistic phenomena emerging among the newest generation of artists in the fields of art, architecture and design, and the shifts they bring to work, identity, direction and life. This phenomenon unfolds through changes in working methodology. They have broken beyond the scopes and methodologies of work from the past. Artists are no longer makers of art, architects are no longer builders, and graphic designers are no longer arranging the plane. Instead, they have broad interests and more diverse work. They make art, make spaces, make stages, performances and parties, make clothes, furniture and all kinds of new wave designs. There is no hierarchy between these tasks, no divisions between profession and hobby, art and non-art. Their state of work is diverse and mixed, crossing culture, time and space, always brimming with vitality, imagination and change. Style without unitary style has become their style.
New work has given them new identities. They are like connectors, transfer hubs and cultural composites. All resources, all things fun, become the tools of their traversal, as well as their stages and battlegrounds. These new identities also bring new lives. They live in a fluid world. There is no longer a clear division between work and life, between collecting old things and new trends. They operate spaces, trends and scenes. They organize events, curate exhibitions, and are constantly fermenting movement, connections and parties through day and night. They can be DJs, directors, tattoo artists, the centers of crowds. Undefinable identities create completely different new life.
New life brings new direction. They don’t have a place they must reach; there is no longer a division between this shore and the next, and for this reason, they have gained a much vaster territory. They have goals, but they are quickly completed. They are no longer readers of the past, but creators of the future. They are rational, but not puritans. Their beliefs can be shaken at any moment: sensitive, adaptable, prone to take flight or be set adrift at any moment, but not for want of strategy. They have similar methodologies, but dissimilar values and interests. Their ideas are never united, and rarely converge. They are a new generation, but they are a new generation of themselves. They are not a style or a school, like the Cynics, Pop, or Anime generations. They are a new generation that has truly cast off collectivism and the passion of campaigns. Their accents are not the product of western ideas, or of China’s local reality. They mix all kinds of accents, and have truly grown up as an international generation.
Among these new working methodologies, they serve as their own methodologies, engaging not in cliche self-expression, but creating themselves, experimenting with themselves, designing themselves and inventing themselves. Their art is merely a certain way in which they are, their works merely certain snippets of their lives. Thus, art has become a peripheral. These new ways of working, new identities, new directions and new lives have created the entirely new work in which they engage: art is not in order to change art, but to change people, to change the definition of people, their existence, to create human possibilities, and to be a better one.
Special acknowledgement: The title of the exhibition "To Be the Better One" originated from the work of artist Li Liao
点击下方购买展览限时早鸟票
（即日起-6.19）
⬇️
注册树枕熊学会会员
享更多精彩
山中天艺术中心位于北京当代艺术地标798艺术区南门，由著名建筑师董豫赣设计，建筑师运用园林方法在室内空间创造了山水栖居的意象。
山中天艺术中心集思想孵化、学术研究、艺术展览、协同创新、人文教育、文化体验为一体，目标是创办多元化研究型的艺术机构，打造国际艺术交流的学术平台。
展览中心强调“实验”的概念，以展现中国当代艺术发展的新方向。人文艺术学院面向大众，定期举办各种线上及线下活动，挖掘、激活、传承、复兴中国书院文化传统和精神价值。大师工作坊也是创新研究院，汇聚不同领域专家进行互动，从而产生新的思想、新的形式、新的作品。
山中天艺术中心注重各学科间的融合交流，开放包容，为各种思想提供展示的舞台，为艺术与生活搭建一架沟通的桥梁，去揭示、去探索和发展人的创造潜力。
⼗点睡觉⼤企业旨在建⽴⼀个多元化的艺术⽣态与创意⽣活互联平台。
⼗点睡觉艺术空间由实体空间延伸⾄社会空间，我们将聚合艺术家、策展人、设计师、创作人及各专业领域的创造力资源，为公众提供丰富多元的艺术情境及美学知识。
⼗点睡觉⼤企业同时提供新兴材料的实验平台，探索物质材料艺术化、创意化的转换路径和实现⽅式，为参与者提供新的介⼊⽅式及创作输出。
在⼗点睡觉⼤企业，所有参与者都是创作者，我们将成为⼀个共同体，去打破艺术和⽣活之间的隔阂、创造与常规之间的壁垒。